The island highlight was hidden under the Normal view's relief. Normal comes back once no island is selected, unless another view was picked in the meantime.
Erase whole model, Select whole model and Capture current view update the
highlight at once. A stroke released outside the 3D view ends on the next mouse
move, in every paint gizmo, instead of leaving the brush in its pressed colour.
The layer textures no longer show an image that was replaced.
A project no longer reads texture files from outside its archive, and a
malformed value or layer slot drops only the texture layers instead of
failing the whole load. Copies of an object that share a mesh keep their
own texture paint when saved, and projects without texture paint no
longer use extra memory to load.
The green highlight and tint no longer cover a colour preview, and return while a stroke is
painted. The Fast view also keeps the other parts of a multi-part object.
The new Mixed colors setting caps how many mixed filaments a bake adds. They are picked from the
texture's colours, and only the ones the bake paints with are created. Previewing no longer creates
filament slots, both previews show a mix in its slot's colour, and the bake paints each mix with the
slot it actually got.
They now sit above the features' framed list as fixed view switches:
a click no longer selects them, they stay put while the features scroll,
their eyes line up with the features' eyes, and their labels dim when
hidden. Ctrl+Shift+O toggles the Origin from the keyboard, as
Ctrl+Shift+B does the Bed. The test script's position for the first
feature row is calculated, not measured, and needs re-measuring on the
test setup.
The bed's show/hide state is now remembered across sessions like the Origin
row's, shown by default. The GUI ladder's ribbon x-coordinates are shifted by
the removed checkbox's derived width and still need re-measuring on the rig.
Sketch on a picked flat face or reference plane opens the sketch on it at once. With nothing
picked it no longer enters sketch mode: the reference planes and axes come up, and the plane or
flat face clicked next opens the sketch and puts them away. Esc or Cancel leaves without one.
A picked plane is used up by the sketch on it and dropped by Esc or a click on nothing, the plane
prompt is no longer replaced by a stale tool hint, and clicking the face a sketch was just
cancelled on picks that face again rather than the whole body.
Ramming, load/unload, cooling-move and stamping values follow the
PrusaSlicer 3.0 presets, which retune several of them relative to
2.9.6. The CORE One MMU3 0.6 nozzle now uses the 0.6 Generic PLA and
Prusament rPLA profiles, as in PrusaSlicer.
Esc and Cancel now put the body back, and Confirm keeps the new position. A click off the
gizmo only moves the camera and no longer leaves the Move card and its buttons dead. Starting
another edit or a rebuild keeps the position, and undo is refused until the Move is confirmed
or cancelled.
The XY, XZ and YZ planes no longer cross through the bed. Each is a small square in its axis
colour, set off from the axes into the corner that faces the default front view, with its name
written in the plane. Dash-dot axes run between the squares and replace the bed's axis triad
while they show. Hovering a plane greys it and selecting one makes it solid, and picking a
solid face now clears a previously picked plane.
Grabbing an arrow anywhere along its length snapped the body's centre to that point as soon
as the mouse moved. The body now moves by how far the cursor travels from where the arrow
was grabbed, including when it is grabbed while looking straight down the axis.
The XY/XZ/YZ planes are cut along each other and drawn back to front, with
lines along every crossing, and their fills are strong enough for the order
to show. Before, they blended into one grey smear and were too pale to work with.
In the Design tab the button always swung the camera to the plate view and framed the whole
bed, whatever was selected: the tab's picks and sketches are neither the canvas's selection
nor its volumes. It now frames the selected faces, body, edges, vertex, sketch region or
sketch entities, and with nothing selected everything on show — the visible bodies, the
feature preview and the sketches — keeping the current view direction. An empty tab still
frames the bed as before.
The line started at a fixed inset scaled like the ImGui style, while the navigator and the
round canvas buttons scale with the monitor's DPI on Windows, so at 150% the buttons covered
its first words. It now starts past the edge the canvas reports for that corner.
Panning or orbiting with a right-drag no longer ends the polyline chain or drops
the point already placed. Only a right-click that doesn't move does. In the
Touchpad camera style, Alt+move and Shift+move now orbit and pan even while a
draw tool is armed.
The bodies now always draw over the preview on every face a feature leaves unchanged, for
all features. Since a hole's cut sits inside the body, the Hole preview now hides the
bodies and shows the result alone, as Fillet/Chamfer and Draft do.
The Design view drew sinking outlines by looking up its bodies in the
plate's model, reading past the end of an object's volumes once a body
was committed. The Design canvas no longer draws sinking outlines.
Commit to Plate now sends all visible bodies to Prepare as one object with a
part per body, so their relative placement survives. A dropdown beside the
button switches to Commit to Plate (as bodies), the previous one-object-per-body
behaviour, and the choice is remembered.
Selections are drawn as opaque faces in the selection colour with a cased outline instead of a
translucent tint over the body, so they read on a body of any colour. Selecting a Feature tree
row lights the faces that feature made rather than its whole body, which also makes fillet and
chamfer rows highlight again.
Each Feature tree row now carries Edit, Show/hide and Delete, and each
Bodies row carries Move, Show/hide and Delete. These act on that row
instead of on the selection. The eye shows a closed eye when the item
is hidden. Every clickable icon in the sidebar now highlights on hover.
Rename and Color now come first in the right-click menu, as items of
their own instead of inside Modify. This applies wherever they appear,
whether opened from the viewport or from a Bodies row.
Clicking an already-selected row no longer starts a rename; use F2,
the row's right-click menu, or the Rename command.
After undo, redo, New Design, a project load, a delete or a reorder, a sketch
profile picked beforehand stayed selected even though it was gone. The
right-click menu then offered "Sketch profile" over an empty design with Create
greyed out. Those operations now clear the selection.
The Confirm button no longer stays greyed in a sketch session after a card whose
preview was invalid has been closed.
Delete and reorder now wait while a sketch or constrain session, the Text dialog,
an Insert placement or the move gizmo is open, instead of editing whichever
feature took its place in the list.
The sidebar can move to either side, float, be resized, and collapse with
the canvas button or Shift+Tab. Its layout is remembered separately from
Prepare's, starts where Prepare's sidebar is, and View > Reset Window
Layout resets both tabs.
A page built on first click is now built before it is shown, as the idle
prebuild already does, so its controls are not created inside a visible
window. This takes the Design tab's first open on Windows from ~9 s to ~1 s.
SoftFever