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Hanif Koh
2fb07b328a
In the solid model mode the translucent ghost disappeared for the length of every drag, since the scene drew either it or the solid; it is now drawn in every mode, so the part above the cut stays in view. The cut itself was open: a sparse layer on the cut showed, between its lines, whatever lay below inside the hollow shell, the first layer or the bed, which moved with the camera and read as a flickering shadow; and a face of the model in the cut layer's own plane fought that layer's toolpaths pixel by pixel. The solid now runs from the top of the range's bottom layer to the bottom of its top layer, and a stencil pass caps each cut plane, body by body, with a quad in the body's colour darkened where the cut has opened it: back faces less front faces, counted with the depth test off, which leaves a closed body at zero.